Piano Required - 2 Day Festival
Nov
3
8:00 PM20:00

Piano Required - 2 Day Festival

MARCELO / ROSENBLOOM / DZURINKO

8:00pm Alexis Marcelo Trio
Alexis Marcelo - Piano
Devin Waldman - Alto Saxophone
Malik Washington - Drums

9:00pm Mara Rosenbloom Locus Trio
Mara Rosenbloom - Piano
Ken Filiano - Bass
Michael Wimberly - Drums

10:00pm Virg Dzurinko Duo
Virg Dzurinko - Piano
Ryan Messina - Trumpet

$20 suggested donation
$30 2-day pass for Nov 3, 4

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Mara Rosenbloom presents FLYWAYS
Oct
17
8:00 PM20:00

Mara Rosenbloom presents FLYWAYS

Anais Maviel - Voice & Surdo Drum
Adam Lane - Bass
Mara Rosenbloom - Piano & Composition

$15 Suggested Donation
2 Sets

Flyways are the migratory patterns of birds – navigating them takes a strong connection to one’s own center of gravity, and also an unwavering sensitivity to the movement of the flock. Tonight, Flyways will perform a piece entitled, “I know what I dreamed,” expanding the text from one of Adrienne Rich’s 21 love poems into a set length work, balancing a composed narrative with a dynamic level of improvisation. Adrienne Rich had a vision of a society where no human dominates another, and also a rich and complex awareness of what it means to inhabit, express, and sustain love; in expression of this work – FLYWAYS.

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The Notet
Oct
11
9:00 PM21:00

The Notet

Andrew Green - Guitar
Jeremy Udden - Saxophone
JC Sanford - Trombone
Gary Wang - Bass

Celebrating the April release of Silent D on Shifting Paradigm Records
+ Special super secret quartet from France at 10 pm

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Nov
11
8:30 PM20:30

In The Fold : Silent Thoughts + Little Gods: Orion and the Cosmological Constant

Friday, November 11th 8:30 PM $15 Suggested Donation

8:30 pm

Little Gods: Orion and the Cosmological Constant, a new performance workshop by Baby Copperhead with visuals by Brian Zegeer

Benjamin Brian Lee AKA Baby Copperhead is a New York City-based banjo player, guitarist, and composer. While building on his “otherworldly” folk roots, Lee explores a broken dissonant America, gathering repressed elements from our cultural past — the banjo’s African origins, polyphonic borrowings from 16th century European sacred music, avant-garde improvisations — combined with modern electronics, samplers, and handmade circuit-bent instruments.

Baby Copperhead’s collaborations include works with Eugene Chadbourne, Michelle Dorrance, Ed Askew, and Room 21 with Jace Clayton (aka DJ/rupture) at the Barnes Collection in Philadelphia, a project that demonstrates Baby Copperhead’s ongoing interest in exploring the nexus of European classical, North African, and Central American traditions through the prism of folk music and pop culture. His other projects are: The Zolephants, a proto-plasmic-surf-punk-spaghetti-western instrumental electric trio; and Baby Copperhead with strings, featuring Tom Swafford on violin, Jessica Pavone on viola, and Brent Arnold on cello.
www.babycopperhead.org

9:30 pm

In The Fold : Silent Thoughts
an evening of interdisciplinary performance
Composition and Music by Ryan Keberle
Sculpture and Slide Projection by Caleb Nussear
Notes from the Artists:
Ryan Keberle – In the Fold : Silent Thoughts is a solo musical performance that combines pre-composed and improvised music created to juxtapose with Mr. Nussear’s visual and physical stimuli. The music looks to highlight the similarities, differences, and interdependence found in and between the visual and aural experience.
Just as Mr. Nussear’s work can be viewed from multiple angles and perspectives, so to can the relationship between visual and sonic art, especially when both senses are stimulated simultaneously. Moments of transition from visual stimuli in silence to concurrent visual and musical stimuli are of particular interest.
Musical influences that I might draw from in the creative process include a variety of inspiration ranging from Ravel to Celia Cruz to Radiohead.
Caleb Nussear – The visual component of In the Fold : Silent Thoughts is a semi-private durational performance / installation founded on the antique technology of slide projection. For this project I have paired with Mr. Keberle to create a complex music as an experience of space. The music incorporates visual material – the projected found images – to catalyze or allow this spatial experience.
Utilizing my extensive collection of personal and found 35 mm slides, I have placed hanging screens within the Triskelion theater. Using mobile projector tables I will change the angle of projection during the performance, thus changing the lines of perspective and superimposition of the images.
Audience members are invited to move about the front of the stage carefully during the performance and view the evolving slide image narrative from various points. The performance is designed to be viewed from multiple angles.
My collection includes approximately 400 images culled from various sources — personal photos taken by myself and friends during urban walks of various U.S. cities in the last decade — found slides of early performances held at PS1 — touristic images of various European capitals — map slides — advertising imagery — art historical images — excellent donations from artists — and various miscellany.

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Nov
10
8:30 PM20:30

In The Fold : Silent Thoughts + Little Gods: Orion and the Cosmological Constant

Friday, November 10th 8:30 PM $15 Suggested Donation

8:30 pm

Little Gods: Orion and the Cosmological Constant, a new performance workshop by Baby Copperhead with visuals by Brian Zegeer

Benjamin Brian Lee AKA Baby Copperhead is a New York City-based banjo player, guitarist, and composer. While building on his “otherworldly” folk roots, Lee explores a broken dissonant America, gathering repressed elements from our cultural past — the banjo’s African origins, polyphonic borrowings from 16th century European sacred music, avant-garde improvisations — combined with modern electronics, samplers, and handmade circuit-bent instruments.

Baby Copperhead’s collaborations include works with Eugene Chadbourne, Michelle Dorrance, Ed Askew, and Room 21 with Jace Clayton (aka DJ/rupture) at the Barnes Collection in Philadelphia, a project that demonstrates Baby Copperhead’s ongoing interest in exploring the nexus of European classical, North African, and Central American traditions through the prism of folk music and pop culture. His other projects are: The Zolephants, a proto-plasmic-surf-punk-spaghetti-western instrumental electric trio; and Baby Copperhead with strings, featuring Tom Swafford on violin, Jessica Pavone on viola, and Brent Arnold on cello.
www.babycopperhead.org

9:30 pm

In The Fold : Silent Thoughts
an evening of interdisciplinary performance
Composition and Music by Ryan Keberle
Sculpture and Slide Projection by Caleb Nussear
Notes from the Artists:
Ryan Keberle – In the Fold : Silent Thoughts is a solo musical performance that combines pre-composed and improvised music created to juxtapose with Mr. Nussear’s visual and physical stimuli. The music looks to highlight the similarities, differences, and interdependence found in and between the visual and aural experience.
Just as Mr. Nussear’s work can be viewed from multiple angles and perspectives, so to can the relationship between visual and sonic art, especially when both senses are stimulated simultaneously. Moments of transition from visual stimuli in silence to concurrent visual and musical stimuli are of particular interest.
Musical influences that I might draw from in the creative process include a variety of inspiration ranging from Ravel to Celia Cruz to Radiohead.
Caleb Nussear – The visual component of In the Fold : Silent Thoughts is a semi-private durational performance / installation founded on the antique technology of slide projection. For this project I have paired with Mr. Keberle to create a complex music as an experience of space. The music incorporates visual material – the projected found images – to catalyze or allow this spatial experience.
Utilizing my extensive collection of personal and found 35 mm slides, I have placed hanging screens within the Triskelion theater. Using mobile projector tables I will change the angle of projection during the performance, thus changing the lines of perspective and superimposition of the images.
Audience members are invited to move about the front of the stage carefully during the performance and view the evolving slide image narrative from various points. The performance is designed to be viewed from multiple angles.
My collection includes approximately 400 images culled from various sources — personal photos taken by myself and friends during urban walks of various U.S. cities in the last decade — found slides of early performances held at PS1 — touristic images of various European capitals — map slides — advertising imagery — art historical images — excellent donations from artists — and various miscellany.

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Oct
6
12:00 AM00:00

Greene Ave Music presents:

Friday, October 6th 12:00 AM $15 Suggested Donation

8:00pm: Fish Dreams

Jochem van Dijk, solo bass guitar

8:45pm and 9:45pm (2 sets): Darren Johnston’s Wind Over Walls

Darren Johnston – trumpet
Carmen Staaf – piano
Alison Miller – drums
Noah Garabedian – upright bass.

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DOUBLE FEATURE: 3 + 3
Sep
21
8:30 PM20:30

DOUBLE FEATURE: 3 + 3

8:30PM Mara Rosenbloom Trio (w/ special guest Michael Wimberly)

Sean Conly - Bass
Michael Wimberly  - Drums
Mara Rosenbloom -  Piano & Composition

“Our first run with a new set of music!” ~ Mara

9:30PM Sean Conly Trio

Michael Attias -  Alto Saxophone
Jeff Davis  - Drums
Sean Conly  -  Bass & Composition

“Our first performance coming out of the recording studio!” ~ Sean

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